Hey.
It's been a fortnight since I posted a post. . . a total roller-coaster ride of a fortnight and the entire month has been no less exhausting. From the festivals to formal meetings to the exciting webinars. In fact, it has been a happening month and a half. Shravana maasa (the month of Shravana) is hectic as it is; but, what with laying the foundation to the Rama Temple to quietening of Ganapathy festive(Bhadrapada Maasa), the National Education Policy and the conversations of the medium of education, the never-ending series of webinars-some important and some not, and of course, the month ends with the breaking news of national interest and concern--Anuska Sharma's pregnancy🙍🙍
Dear Reader, that's why I have a lot to share with you and so the two-part blog post this weekend. I hope you will take time to read it . . .
When the the building of the temple at Ayodhya began with so much political oomph, for many of us who emotionally connected with Lord Rama (although many of those people-including myself, are staunch feminists) this was a moment of painful disconnect. The earliest memory of Rama is of Rama Navami celebrations at home-going for rounds to the neighbours who would treat us with cool paanaka, buttermilk and cucumber kosambari all through the morning and the evening was for a musical treat from the greats of the 20th century classical musicians. They came from neighbouring states, eager to sing in the praise of most revered god in human form. M S Subbulakshmi, Dr BalaMurali Krishna, Madhurai Somasundarm, Maharajapuram Santanam, Bhimsen Joshi, Mallikarjuna Mansur, M L Vasantha Kumari, Kadri Gopalanath . . . the list is endless. The Rama Mandira in Ontikoppal, Mysore was famous for organising the evening musical celebration on the occasion of RamaNavami. It had no strict time format-sometimes, if the singer was swayed by the devotion to the Lord, would go well into the mid-night and no one would stir from their place. They would be singing Tyagaraja kirtans to Harikathe about the paeons of Hindu gods and goddesses-about their benevolence. And Rama is ever benevolent, all-loving and empathetic. But, all the musicians came and sang with such musical fervour that only this occasion could stir-up in devotees. A great deal of the cultural memory went into the making of Lord Rama as the cultural icon. And in today's politicising of Rama, a major part of Rama as the benevolent, creator of harmony is destroyed. HE is now a site of contestation-literally and metaphorically, and paradoxically, the one who is the cause of hatred!! Rama, who went willingly into the Vanavaasa to keep the promise of love, now sows seeds of hatred 😔. Wonder whatever happens to the sociological school of thought that understands epics as having written over a while--as sociological texts??? or like the Marxists-socialists who recognised and validated the 'people's history rather than the history of the kings, maybe Rama also exists in two different versions--one for the common man and one for the not so common man!!
For those lovers of Rama who believed that HE would deliver from all obstacles and move them, and the age, towards peace and harmony, here is one such collection of classical songs by Balamurali Krishna
https://www.youtube.com/watch?v=jAGwUW2IE24
Do share your comments👇
